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RECURRING OPPORTUNITIES FOR NZ COMPOSERS
Contents
Prizes & Competitions
- The Douglas Lilburn Prize
Held every three years, this prize is a joint initiative between
Concert FM and
the New
Zealand Symphony Orchestra. Open to new, previously unperformed
orchestral works between 8–12 minutes in duration.
Awarded by Otago
University, this annual prize of $1500 is given to
the best work submitted by a current or former student of a NZ university,
within the forces specified for that year.
The five major university music departments (Auckland, Waikato, NZSM,
Canterbury, Otago) are given an annual donation from the Lilburn Endowment
Trust to hold a composers competition with cash prizes for students
of those institutions. See your music department for details.
Forces: Varies
Prizes: Varies
Awarding Institution: Auckland, Waikato, NZSM, Canterbury,
Otago universities with funding from Lilburn Endowment Trust
- SOUNZ Contemporary Award
An annnual award presented to the best new work by an
APRA member premiered in the preceding 12 months.
Awarded by SOUNZ at the APRA Silver Scroll Presentations.
Forces: Any
Website: http://sounz.org.nz/content/SOUNZ_Contempy
Awarding Institution: SOUNZ and APRA
Deadline: mid-July (annually)
Recent Winners: John Psathas (2002), Gillian Whitehead
(2003), John Psathas (2004), Ross Harris (2005), Ross Harris (2006),
Eve de Castro-Robinson (2007), Chris Gendall (2008), Ross Harris (2009)
- SOUNZ Original Composition award in the
CMNZ/NZCT Chamber
Music Composition
Awarded to secondary school composers who submit works as part of
the New Zealand Community Trust/Chamber Music New Zealand Chamber
Music Competition. Prize: $500. Piece must be performed as part of
the CMNZ/NZCT Chamber Music Competition.
Two prizes of $750 for orchestral scores by young composers (under 25). Maximum
5 minutes duration.
Competition and educational workshops designed to prepare secondary
school composers to write for orchestra. Prize of $500.
Original choir works by full-time students no older than 23 years. Composition
2–5 mins in length.
Original choir works by secondary school students for entrants in
the Big Sing choir competition.
Forces: Choir
Prizes: Information to come
Website: http://sounz.org.nz/content/BIG_SING
Awarding Institution: SOUNZ and
the NZCF
Recent Winners: Lauren Simpkins (2005),
Tabea Squire (2006), Megan Nelson (2007), Arna Shaw (2008), Grace Park (2009)
- Adam International Cello Festival Young
Composer Competition
Competition for solo cello work. The winner will be included in the
contest repertoire of the competing cellists. Competition will be held
along with each festival, which occurs about once every three years.
- NZ Flute Convention Composition Competition
Original choir works by full-time students no older than 23 years.
Composition 2–5 mins in length.
- MAA Composition Competition
New work for quartet + voice or traditional Chinese instrument, length
4-8 minutes. Composers under the age of 20.
Forces: A quartet of any instruments, but at least
one must be voice OR a traditional Chinese instrument
Prizes: First prize: $200; Second prize: $100
Website: http://www.maa.net.nz/competition.asp
Awarding Institution: Music Association of Auckland
Recent Winners: Harry Peirse & Rebekah Mapson
(2006)
- CANZ Trust Fund Award (no application)
Awarded to an emerging or established composer (who must be a current CANZ member) for excellence
in current compositional achievements. As the award is decided on
by the CANZ committee, applications are not invited for this; however,
CANZ members may make a nomination to a committee member.
Awarding
institution: Composers
Association of New Zealand
Recent Winners: Penny Axtens (2002), James Gardner
(2003), Chris Watson (2004), Dylan Lardelli (2005), Samuel Holloway
(2006), Patrick Shepherd (2007), Gareth Farr (2008), Robin Toan (2009)
- KBB Citation for NZ Music (no application)
Awarded to an individual or institution for their contribution to
New Zealand music.
Awarding institution: Composers
Association of New Zealand with funding from KBB
Music
Recent Winners: Waiteata Music Press (2002), 175
East (2003), Scilla Askew (2004), John Cousins (2005), Karen Grylls
(2006), Gillian Whitehead (2007), Jenny McLeod (2008), Andrew Uren (2009)
- ACL Young Composers Competition (CANZ
members only)
Every year or so, the Asian
Composers League, of which CANZ is a member,
holds a Festival of music in different venues around the Asia-Pacific
region. As part of this, CANZ can nominate a young composer to take
part in the Young Composers Competition.
New works for organ, between 3–5 minutes duration. Between Grade 5 and
8 difficulty, written for two manuals and an independent pedal part.
The SOUNZ Community Commission is sponsored by an anonymous donor
and administered by SOUNZ. The commission encourages community groups
(amateur musicians) to work closely with a professional composer.
Each year — usually in March or April — proposals are accepted from
either community groups or composers for musical projects that will
see them working in creative partnership. The successful proposal
is to be completed by the following May with a performance of the
result either having taken place or planned by then.
Website: http://sounz.org.nz/content/Comm_Comm
Awarding Institution: SOUNZ
Recent Recipients: Rachel Clement (2004), Ross Carey
(2005), Robin Toan (2006), Claire Cowan (2007), Sam Hamilton (2008)
- ISCM World Music Days (CANZ members
only)
Every year member countries of the International
Society of Contemporary Music host the World Music Days, a long festival of contemporary music
from the ISCM member countries. As CANZ is a member of the ISCM, we
are allowed to submit up to six works to be considered for selection.
Works that are chosen by the ISCM are then programmed at the World
Music Days. Currently CANZ does not offer any assistance with travel
to the WMD for successful applicants. This is something we are considering
in the long term.
Awarding Institution: CANZ and the ISCM
Recent Representatives: Jeroen Speak & Dorothy
Ker (2004), Michael Norris & Philip Brownlee (2005), Jeroen
Speak (2006), Shen Nalin (2007), Pepe Becker & Carol Shortis (2009)
- NZ Music Awards (Tui Awards)
The New Zealand Music awards are hosted by the recording industry
as a celebration of excellence in recorded music.
Website: http://www.nzmusicawards.co.nz
Awarding Institution: RIANZ
Recent Classical Winners: Jack Body: Pulse (2002),
Douglas Lilburn: Symphonies (2003), John Psathas: Fragments (2004),
John Psathas: View from Olympus (2007), Michael Houstoun: Inland (2008), David Bremner: Gung Ho (2009)
Orchestral Readings
The NZSO-SOUNZ Readings is a collaborative project which aims to increase
the likelihood of performance of orchestral music by New Zealand composers.
Readings of new orchestral works by the Auckiand Philharmonia Orchestra.
Composers over the age of 18.
- Auckland Philharmonia Orchestra/The Trusts
Interactive Composing Workshop
Designed for pre-NCEA composing development, this workshop allows
Year 9 and 10 students to compose for duos and have their pieces played
and discussed by Auckland Philharmonia musicians.
Residencies/Scholarships/Exchanges
A year-long residency (which may be extended to two years) at the
University of Otago, Dunedin. Applications close on June 1 each
year. The residency runs February-January. Salary: equivalent to a junior
lecturer's salary. Restrictions: NZ citizens over the age of 27.
Awarding
Institution: University
of Otago
Recent Recipients: Alison Isadora (2001), Michael
Norris (2002), Noel Sanders (2003–4), Rachel
Clement (2005–6), Neville Copland (2007), Chris Watson (2008–9), Chris Adams (2010)
- APO Composer-in-Residence
A year-long residency (which may be extended to two years) with the
Auckland Philharmonia Orchestra. Applications close in August of each
year. Residency runs for one calendar year.
Awarding Institution:
Auckland
Philharmonia Orchestra
Recent Recipients: Gillian Whitehead (2000–1),
John Rimmer (2002–3), Dylan Lardelli & Anthony Young (2004),
Ross Harris (2005–6),
Gareth Farr (2007–8), Chris Adams (2009), John Psathas (2010)
- Creative New Zealand/Jack C. Richards Composer-in-Residence at the New Zealand School of Music
A year-long residency in the Lilburn Residence, Wellington, hosted
by the New Zealand School of Music and Creative New Zealand. Applications
close in November of each year. Residency runs from July to July.
- NYO Composer-in-Residence
A commission to write a new work for the National Youth Orchestra,
and to tour with the orchestra.
- APO Young Composer-in-Residence
A residency to write chamber works for APO musicians. Applications
by invitation only, for the time being.
- Edwin Carr Foundation Scholarship
Funding toward overseas study. Applications close in the two
rounds of Creative New Zealand. Amount available may vary from year
to year.
- SOUNZ Trans-Tasman Composers Exchange
A six–eight week residency scheme where a composer is hosted by a
professional performing group in Australia.
- Visby International Centre for Composers Residency
(CANZ members only)
Opportunity to be resident at the Visby International Centre for Composers
through our subscription to the ISCM. Apply to CANZ at any time.
The APRA NZ Professional Development Award was first presented
in 2005. This award offers cash ($10,000), travel* and recognition
to music writers in the early stages of their careers.
General Arts Opportunities
The Wild Creations programme offers 3 six-week residencies annually
to artists selected by a panel of representatives from Creative New
Zealand and DOC. During a residency, artists will be free to explore
the environment and the physical and creative challenges of their location.
The Artists to Antarctica Programme was established in partnership
with Creative New Zealand. Antarctica New Zealand provides, administrative
and logistical support, and Creative New Zealand financial support.
The programme encourages New Zealand artists in all disciplines to
explore Antarctica through their work, thus increasing New Zealander's
understanding of Antarctica's value, and global importance.
The Smash Palace Fund, piloted in 2002, is a partnership between Creative
New Zealand and MoRST. Its aim is to encourage and support the convergence
between the arts and science as a building block for innovation and
creativity.
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